#42 – Dominant Characteristics – If it Sounds Good, it Is Good

Program Number 42

Originally Broadcast May 1, 1996

“Dominant Characteristics”

BEETHOVEN: From Symphony No. 5, 4th Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2

LASSUS: From Psalmi Davidis Poenitentiales, No. 1, Domine ne in furore tuo, The Hilliard Ensemble, Angel CDCB 49211

Tonic & Dominant on Parade

	J. S. BACH: From Brandenburg Concerto No. 2, 1st Mvt., The English Concert/Pinnock, Archiv 410 500 2
	J. S. BACH: From Brandenburg Concerto No. 4, 1st Mvt., The English Concert/Pinnock, Archiv 410 501 2
	MOZART: From Eine Kleine Nachtmusik, 1st Mvt., The Hanover Band/Goodman, Nimbus NI 5228

BEETHOVEN: From Symphony No. 5, 4th Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2

BEETHOVEN: From Symphony No. 7, 4th Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2

BEETHOVEN: From Symphony No. 8, 4th Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2

What Goes Up a Fifth Must Come Down a Fifth

	MOZART: From Piano Concerto No. 21, 1st Mvt., Andras Schiff/Camerata Academica des Mozarteums Salzburg/Vegh, London 430 510 2
	MOZART: From Piano Concerto No. 21, 2nd Mvt., Andras Schiff/Camerata Academica des Mozarteums Salzburg/Vegh, London 430 510 2
	MOZART: From Symphony No. 39, 3rd Mvt., The Academy of Ancient Music/ Schroder/Hogwood, L’Oiseau-Lyre 421 085 2
	MOZART: From “Le Nozze di Figaro,? “Non pi? andrai, farfallone amoroso?, Petteri Salomaa/The Drottingholm Court Theatre Orchestra/Ostman, L’Oiseau-Lyre 421 333 2
	BEETHOVEN: From Symphony No. 5, 4th Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2
	BEETHOVEN: From Symphony No. 7, 3rd Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2
	BEETHOVEN: From Symphony No. 8, 1st Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036
	SCHUBERT: From “Unfinished? Symphony, 1st Mvt., Cleveland Orchestra/Dohnanyi, Telarc CD 80091
	STRAUSS: From “The Blue Danube?, Vienna Philharmonic/Boskovsky, London 425 425 2
	KRISTOFFERSON/FOSTER (BMI): “Me & Bobby McGee?, Janis Joplin, “Pearl?, Columbia KC 30322

The “All You Need Is Tonic & Dominant” Suite

	MOZART: Divertimento in C (KV 188/240b), 5th Mvt., Academy of St. Martin-in-the-Fields/Laird, Philips 422 505 2
	PRADO: “Mambo #8?, Perez Prado, “A Carnival of Cuban Music?, Rounder CD 5049
	PRICHARD: “Kentucky?, The Everly Brothers, “Songs Our Daddy Taught Us?, Ace CH 75

The “Non-Dominant Gene” Song Cycle

	No Expectations, Rolling Stones, Abkco 62672
	LENNON/McCARTNEY: “All I?ve Got To Do?, The Beatles, “With the Beatles?, Parlophone CDP 7 46436 2

Three Points Define a Plane

	BEETHOVEN: From Symphony No. 5, 4th Mvt., Berlin Philharmonic/Karajan, Deutsche Grammophon 429 036 2
	MOZART: From Symphony No. 41, 1st Mvt., The Academy of Ancient Music/Schroder/Hogwood, L’Oiseau-Lyre 421 085 2
	MOZART: From “Le Nozze di Figaro,? “Non pi? andrai, farfallone amoroso?, Petteri Salomaa/The Drottingholm Court Theatre Orchestra/Ostman, L’Oiseau-Lyre 421 333 2

Tidbit Time

RUSSELL/MEDLEY: “Twist and Shout?, Mae West, Rhino R2 70187

The “If It’s Good Enough for ‘Twist & Shout'” Suite

	TRAD.: “Barrio Latino?, Harp Music of the Andes, Olympic 6124
	MOZART: From Four German Dances (KV 602), 3rd Mvt., Vienna Mozart Ensemble/Boskovsky, Philips 422 506 2
	SALLEY (ASCAP): “Killing the Blues?, Mud Acres, “Woodstock Mountains?, Rounder CD 11520
	TRAD.: “Polka Aus Reutte?, The Engelkinder, “Folk Music of the Tyrolean Alps?, Vox STPL 515 060

Our theme music is

MOZART: Symphony No. 24 (K 182), 2nd Mvt., Philharmonic Symphony Orchestra of London/Leinsdorf, MCA Classics MCAD2 9812B

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